Кресло Vanitas возвращается в переиздании, которое празднует один из самых знаковых дизайнов Versace Home. Полностью обитое узорчатой тканью, его скульптурный силуэт определяется драматичными подлокотниками в форме завитков и щедро мягким сиденьем, создавая безошибочное присутствие. Кресло сочетает классическое вдохновение с современной элегантностью, делая его акцентным предметом для прихожих, салонов или изысканных лаунжей. С смелыми пропорциями и роскошной детализацией, Vanitas переиздание подтверждает наследие Versace в области роскоши и художественного мастерства.
Frame in wood, padded with polyurethane and fiberfill before being upholstered. The brand's framing: "A re-edition of the iconic 1994 chair, the Vanitas chair is crafted from wood and fully upholstered in velvet, offered either plain or printed with the unmistakable Versace pattern." The wooden substructure preserves the 1994 original's silhouette; the PU + fiberfill creates the tactile, plush register the velvet upholstery sits on. The form was iconic in the 1994 Versace Home Vanitas line — re-issued in 2025 as part of the Versace Home 2025 Collection.
The defining geometric feature: "With its distinctive sinuous lines and sculpted armrests, the design exudes timeless character and refined personality." The chair's silhouette is the family signature — flowing curves, sculpted-rather-than-square armrests. Different from a square or boxy armchair: the sinuous form reads as a 1990s Versace Vanitas-era register, where ornamental excess and curved volumes defined the brand's furniture register. The sculpted armrests are integral to the chair's geometry, not bolted-on attachments.
Cover non-removable, in velvet. The brand's framing: "crafted from wood and fully upholstered in velvet, offered either plain or printed with the unmistakable Versace pattern." Two published options: plain (single-colour velvet, e.g. green or pink documented in LLG packshots) or printed with the Versace house pattern. The plain velvet reads as the contemporary reading of the Vanitas; the printed velvet reads as the 1990s archival reading where the printed Versace fabric was central to the original's identity. Choose plain for transitional rooms; printed for explicitly-Versace decorative registers.
Decorative element: a Medusa metal detail at the lower back corner of the chair. Different from chair-top or arm placements — the lower-back placement is unobtrusive, visible only when the chair is approached from the back or side. The brand's signature is present but doesn't dominate the velvet upholstery's visual register; the printed-velvet variant carries the brand's identity through the fabric pattern itself, with the Medusa metal as a quieter punctuation.
The 2025 re-edition preserves the 1994 original's silhouette and proportions (58 × 63 × 94 H). The wooden frame's shape, the sinuous lines, the sculpted armrests, the velvet upholstery, and the Versace pattern option are all faithful to the 1994 original. Re-edition rather than re-design: the only changes are contemporary production methods and material grades; the form itself reads as a direct re-issue of the 1990s Vanitas chair.
Detail of the family signature — the sculpted armrest in green velvet, with the wooden frame's sinuous curve visible at the corner. The sculpted armrest's curved profile is what distinguishes the Vanitas from a standard armchair: rather than a 90-degree padded arm, the Vanitas's arm is a sculpted volume that flows from the seat plan up to the armrest top in a continuous curved line. Pair the green and pink velvet variants for a complementary tonal register, or specify either alone for a monochromatic colour anchor.
Single configuration. At 58 × 63 × 94 H, the Vanitas reads as a tall accent armchair — the 94 H seat-back height is unusual for an armchair (taller than typical 80–85 cm), giving the chair head-and-shoulder support. Compact width (58 W) and depth (63 D) — fits in tighter spaces than a primary lounge armchair. Green velvet variant is the cool-tone option; the sinuous lines and sculpted armrests are visible in profile from any angle.
Back view shows the chair's tall silhouette — the 94 H seat-back rises to head-and-shoulder support. The Medusa metal detail is positioned at the lower back corner, visible from the back at standing approach. Position the Vanitas with the back exposed (centre-of-room or beside a fireplace, not flat against a wall) to feature the full silhouette. The wooden frame's curved geometry reads from the back as a sinuous flowing line.
Pink velvet alternative — the warm-tone option, reading more boudoir or feminine register than the green's cool tone. Both variants share the wooden frame, sculpted armrest, sinuous silhouette, and Medusa metal lower-back detail. Specify the same colour across multiple Vanitas chairs for a coordinated set, or mix green and pink in the same room for a complementary tonal contrast.
Versace's Milan headquarters at Piazza Luigi Einaudi 4 holds LEED Gold certification, and the Bal Harbour Shops boutique (Florida) is also certified to LEED Gold for interior design and construction (USGBC project record certified 18 December 2019).
All paper-based packaging components used by Versace are sourced from Forest Stewardship Council–certified suppliers. This certification covers packaging only; it does not extend to furniture wood.
Original launched in 1994 as part of the Versace Home Vanitas line — one of the most iconic pieces of the early Versace Home era, defined by the printed velvet upholstery and the sculpted-armrest sinuous-line silhouette. The brand's framing: "One of the most iconic pieces in the Versace Home collection, the Vanitas Re-edition chair is a refined reinterpretation of the original launched in 1994." The 1994 original established the Vanitas family aesthetic — printed velvet + sculpted curves + Medusa hardware — that influenced the Versace Home language for decades.
Tagged "2025 Collection" on the LLG product page. The current re-edition preserves the 1994 original's silhouette and material vocabulary (wooden frame, velvet upholstery, Medusa metal lower-back detail, sculpted armrests). Part of the 2025 Collection emphasising the Versace Home heritage — alongside 2025 launches like the Drop sofa (id 39637), Acantho family (id 39634, 39640), Tholos table (id 39961), Palace sofa (id 39964), and others.
The licensed manufacturer's published framing is that the re-edition is "a refined reinterpretation" of the 1994 original — the silhouette, the velvet upholstery, the printed-or-plain options, the wooden frame, the sculpted armrests, and the Medusa metal lower-back detail are all preserved from the 1994 design. The current production uses contemporary materials and manufacturing standards. Choose the re-edition for the 1990s Versace Home Vanitas aesthetic with current quality. The 1994 original is no longer in production; the re-edition is the live SKU.
Choose by the room's broader register. Plain velvet (green, pink documented in LLG packshots) reads as the contemporary reading of the Vanitas — the sculpted form is the primary visual register; the colour adds a tonal accent. Printed Versace-pattern velvet reads as the archival 1990s reading — the printed pattern is itself the brand's signature, and the Vanitas chair becomes a vehicle for the Versace fabric. For an explicitly-Versace decorative register, choose printed; for a transitional room where the chair contributes form rather than pattern, choose plain.
The 94 H seat-back gives head-and-shoulder support — different from the typical 80–85 H armchair. The Vanitas was designed in 1994 as a tall, statement chair register — providing the sitter with a more enveloping, more enclosed seating experience than a standard armchair. The tall back also reads as the chair's primary visual register from across a room: the 94 H silhouette is taller than nearby furniture, drawing the eye. Use the Vanitas as a primary statement chair beside a fireplace, in a window alcove, or as the focal piece of a small library/study — not as a flanking-pair armchair.
Different families, different design philosophies. Harem (id 39631, 90 × 90 × 89 H, 2010 original / 2025 re-edition) is the three-layered-cushions-on-steel-frame piece, inspired by a stack of Versace cushions on the floor — re-edition adds a gold Medusa to the back. Vanitas (this product, 58 × 63 × 94 H, 1994 original / 2025 re-edition) is the sinuous-line wooden-frame velvet armchair with sculpted armrests and Medusa metal at the lower back corner. Different decades of Versace Home design, different forms, different materials. Both are re-editions in the 2025 Collection.
The Vanitas is sized as a personal statement chair (58 × 63 × 94 H — single occupancy). A single Vanitas as a primary statement piece in a room (study, library, fireplace alcove, window seat) reads as the room's focal accent — the 94 H tall back and the sculpted form draw the eye. Two Vanitas chairs flanking a fireplace, conversation table, or doorway create symmetrical pairs in matching colour or printed-velvet finish. The 1994 original was often used singly as a statement; the re-edition works in either single or paired register.
