كرسي هاريم بذراعين هو إعادة تفسير معاصرة لأيقونة من فرساتشي هوم، يجسد الراحة المكررة والنعومة الشبيهة بالوسائد. إطاره الفولاذي النحتي مبطن بسخاء ومنجد بمجموعة منتقاة من الأقمشة والجلود، بينما المقعد مكون من طبقات ثلاث وسائد تبرز تركيباته المادية الغنية ومظهره الجذاب.
تم تقديمه لأول مرة في عام 2010 ومستوحى من كومة من وسائد فرساتشي موضوعة بشكل عفوي على الأرض، والإصدار الجديد يتميز الآن بتفصيل ميدوسا ذهبي مذهل على الظهر. ستظهر نسخة خاصة منجدة بالساتان لأول مرة خلال أسبوع التصميم في بوتيك فرساتشي في فيا مونتينابوليوني 11، مما يعرض الروح الجريئة والانتقائية للدار.
Frame in sculptural steel — generously padded and upholstered. The brand's framing: "Inspired by a stack of Versace cushions on the floor, the Harem chair was first introduced in 2010. The re-edition features a gold Medusa to the back of the chair." The steel substructure is the rigid skeleton beneath the visibly soft, pillow-like upper register. Different from a fully-upholstered foam-on-foam chair: the steel structure gives the Harem its precise architectural footprint while the padding and layered cushions create the visual softness.
Seat composed of layered cushions — the family's defining geometric register. The brand's framing: "inspired by a stack of Versace cushions on the floor." The cushions read as discrete pillows rather than a single continuous seat plane, creating visual rhythm and tactile softness. The layered cushion construction is the chair's distinguishing identifier across the Versace Home seating catalogue.
Frame and back padded with polyurethane (closed-cell foam, gives the upholstery its closed-form shape) plus fiberfill (loose fibre wadding, gives the upholstery its pillow-soft feel). Two-layer padding: PU below for shape retention, fiberfill above for softness. Different from a single-density foam construction — the layered padding is what makes the Harem read as soft and pillow-like rather than firm and architectural.
Cover non-removable — the upholstery is integrated into the chair's build (not a slipcover). Available in a selection of fabrics or leathers; LLG documents at least two colourways: Aqua and Waterlily. Choose fabric for a softer pillow register; choose leather for a harder architectural register. The non-removable construction means the cover and the layered cushion structure are sewn together as one — the chair's softness is built in, not draped on.
Re-edition decorative element: gold Medusa applied to the back of the chair. The 2010 original did not include the back-of-chair Medusa; the current re-edition adds it as the family's primary fashion-house mark. Visible from the back at standing approach (when the chair is positioned in the centre of a room) or from the side. Feet in ABS, black — the structural ground-contact element. The black ABS feet read as the dark architectural anchor below the soft cushion register.
Detail of the family signature — the layered cushions in Aqua fabric, with the seam structure visible at each cushion edge. The layered-cushion stack is the Harem's defining identifier. Aqua is the cool blue-green colour register that reads beach-house or terrace-adjacent; Waterlily is the soft pink register that reads more bedroom or boudoir. Both colourways carry the same gold Medusa on the back — the colour change is the cushion fabric, not the hardware register.
Single configuration — 90 × 90 × 89 H. Square footprint at 90 × 90, with seat-back at 89 H. The cushion-stack sits prominently on the seat plan; the back rises to roughly chair-back height for upper-back support. Pair two armchairs flanking a side table or coffee table for a conversation pair; place a single Harem as the statement chair in a primary lounge corner. The Aqua colourway is the cool blue-green register documented on LLG.
Back view shows the re-edition's distinctive feature: the gold Medusa applied to the back of the chair. The Medusa reads as the family's primary fashion-house mark, visible at standing approach. Position the Harem with the back exposed (centre-of-room, not against a wall) to feature the Medusa as part of the room's architectural register.
Waterlily fabric colourway — soft pink register that reads bedroom, boudoir, or feminine-leaning lounge. Pair the Aqua and Waterlily colourways together for a complementary tonal contrast (cool + warm) in the same room, or specify the same colourway across multiple Harems for a coordinated lounge cluster. Both colourways share the gold Medusa on the back, the layered-cushion structure, and the black ABS feet.
Versace's Milan headquarters at Piazza Luigi Einaudi 4 holds LEED Gold certification, and the Bal Harbour Shops boutique (Florida) is also certified to LEED Gold for interior design and construction (USGBC project record certified 18 December 2019).
All paper-based packaging components used by Versace are sourced from Forest Stewardship Council–certified suppliers. This certification covers packaging only; it does not extend to furniture wood.
Original launch documented by designboom on 30 May 2010 as part of the Versace Home 2010 collection. The original 2010 design did not feature the gold Medusa on the back; the layered-cushions-on-a-steel-structure form was the original innovation. designboom titled the article "Versace Home collection 2010: Sunburst table + Harem chair" — the Harem was one of the headline pieces of that collection.
Currently in production as a re-edition of the 2010 original. The brand's framing on the LLG product page: "the re-edition features a gold Medusa to the back of the chair." Same layered-cushion structure, same sculptural steel frame, same fabric-or-leather non-removable upholstery — the gold Medusa applique on the back is the published difference between the 2010 original and the current re-edition.
The Harem is inspired by a stack of Versace cushions on the floor — the layered-cushion construction is the design's central concept, not a structural compromise. Each cushion reads as a discrete pillow with its own seam border; together they create a tactile, varied seat surface that visually differs from a flat single-cushion seat. The layered structure is the family signature and the chair's primary visual identifier on the Versace Home seating catalogue.
The published difference is the gold Medusa on the back of the chair — the re-edition adds the back-of-chair Medusa applique, while the 2010 original featured the layered cushions and steel structure without the back Medusa. The form, dimensions (90 × 90 × 89 H), the layered-cushion stack, the steel sculptural structure, the PU + fiberfill padding, and the non-removable fabric/leather cover are all unchanged. Choose the re-edition for the Medusa back; the 2010 original is no longer the production version.
LLG documents two colourways via packshots: Aqua (cool blue-green) and Waterlily (soft pink). The licensed manufacturer's product copy describes the cover as "available in a selection of fabrics and leathers" — the full collection is broader than the two documented colourways. For specific fabric or leather options beyond Aqua and Waterlily, consult your Solomia Home account; LLG's full fabric library is gated behind the trade login.
The non-removable construction means the cover is sewn into the chair's build — it can't be slipped off for washing or replacement like a removable slipcover. For staining, professional upholstery cleaning is the only treatment option. For severe fading or wear, full reupholstery by an upholsterer is required. Choose the cover material and colour with this longevity in mind: leather is more stain-resistant than fabric; darker colours hide wear better than light colours like Waterlily. The chair is built to last decades — the non-removable cover is a quality decision, not a maintenance one.
Both work — the Harem is sized as a personal statement chair (90 × 90 × 89 H — single occupancy, generous footprint). A single Harem in a primary lounge corner functions as a sculptural focal point — the layered-cushion stack reads as a visual centerpiece. Two Harems flanking a coffee table or side table create a conversation pair. The chair is too large and too sculptural to use in rows like a dining chair; reserve for accent placement. For mixed-cushion-colour registers (Aqua + Waterlily in the same room), the chairs read as complementary rather than identical — graphic counterpoint rather than matched-pair symmetry.
