Medallion coffee tables
Versace Home Medallion side tables
Versace Home Medallion coffee tables
Versace Home Medallion coffee tables
Versace Home Medallion coffee tables
Versace Home Medallion coffee tables
Versace Home Medallion coffee tables

Medallion coffee tables

Stainless steel frame with polished Gold or Satin Grey finishing. Extra clear or smoke gray glass top. Alternative version with top in Carrara Gioia or Marquina Black marble. Lower top with Medusa Amplified decorative application in black or white color.

 

Diameter: 60 cm Diameter: 90-110 cm
Height: 35 cm Height:  29 cm
 
 
 
From 48.840 AED
Story

Milestones

1978

Gianni Versace founds the fashion house

Gianni Versace, born 1946 in Reggio Calabria, opens his first boutique on Via della Spiga in Milan and presents his debut collection at La Permanente in March. The original company, registered as Gianni Versace Donna, will grow into the global luxury house headquartered today at Piazza Luigi Einaudi 4, Milan.

1982

Move into housewares

Versace expands beyond fashion into jewellery, china and textiles for the home — the first foothold of what will later be formalised as Versace Home.

1988

The Greca (Greek Key) motif debuts

Gianni Versace introduces the Greek Key in the Fall-Winter 1988 ready-to-wear collection. Decades later, La Greca returns as a defining pattern across Versace Home upholstery and bed linen.

1989

Atelier Versace haute couture

The Atelier Versace haute couture line is launched, presented for the first time in Paris.

1992

Versace Home interiors launch

Versace becomes one of the first fashion houses to launch a dedicated home-interiors line — beginning with textiles and quickly expanding to porcelain tableware through a partnership with the German manufacturer Rosenthal that is still running today.

1994

Vanitas chair

The wooden Vanitas chair, the earliest dated piece in the Versace Home furniture canon, debuts. It will be re-upholstered in velvet and re-presented at Salone del Mobile 2025.

1997

Gianni Versace assassinated; Donatella becomes Creative Director

Gianni Versace is murdered outside his Miami Beach home, Casa Casuarina, on 15 July 1997. His sister Donatella Versace, who had been Vice President since 1978, becomes Creative Director — a role she will hold until 2025.

2014

Blackstone takes a minority stake

Blackstone purchases a 20% stake in Versace for €210 million — the brand's first non-family ownership.

2019

Capri Holdings acquires Versace

On 2 January 2019, Capri Holdings (the former Michael Kors group) closes its acquisition of Versace for approximately US$2.1 billion.

2020

Versace Home furniture licensed to Lifestyle Design Group

Versace signs a licence with Lifestyle Design Group — the Italian home-design division of US-based Haworth Group — for the production and distribution of Versace Home furniture. The licence covers furniture only; textiles and accessories remain in-house, ceramics continue under Rosenthal, and wallpaper and floor tiles stay with their respective licensees.

2023

Rosenthal × Versace turns 30

The Rosenthal × Versace partnership marks 30 years with a limited mug collection that revives a 1993 design — gold-toned Barocco motifs paired with a Medusa lid.

2024

"If These Walls Could Talk" at Palazzo Versace

Salone del Mobile installation at the brand's original Milan atelier on Via Gesù 12 debuts the Medusa '95 Conversation Sofa, La Greca Bed, Lady Desk, and Moon Island sofa and armchair.

2025

Prada Group acquires Versace

Announced 10 April 2025 and closed 2 December 2025: Prada Group acquires Versace from Capri Holdings for €1.25 billion (~US$1.375 billion). The same year Donatella Versace steps down as Chief Creative Officer (effective 12 March) and becomes Chief Brand Ambassador (1 April); Dario Vitale is appointed Chief Creative Officer.

Inside

Construction

Stainless steel frame, three finishes

The brand's own framing: "Extremely refined in both appearance and design, Medallion coffee tables feature a stainless steel frame with polished Gold, polished chrome or Satin Grey finishing." Three finish options on a stainless-steel frame — gold for the warm Versace register, chrome for cool steel-and-marble interiors, Satin Grey as the neutral architectural register.

Glass top — extra clear or smoke grey

Top in glass, two options: extra-clear (transparent, lets the frame's geometry read through) or smoke grey (tinted, gives the top its own visual presence). The choice changes the table's character — clear keeps the frame visible and dominant, smoke grey makes the surface itself a graphic element.

Three round sizes — stepped heights

Three sizes published. The smallest Ø 60 sits at 35 cm overall — the tallest. The Ø 90 and Ø 110 both sit at 29 cm overall — true low-coffee register. The reverse-height pattern lets the small size live as a side accent (closer to drink-and-book height) while the larger pair anchors a primary seating group at standard coffee-table height.

Family-coordinated design

Three sizes coordinated to be used together or separately. Group all three for a graphic stepped composition (small reads above the larger pair); pair just the Ø 90 and Ø 110 in front of a long sofa for a low-coffee zone; use the Ø 60 standalone beside a chair for a personal surface. The shared design vocabulary keeps any combination coherent.

Materials

Fabrics & finishes

Frame and glass top — finish detail

Frame and glass top — finish detail

Detail of the family — the stainless-steel frame's geometry visible through the glass top, with the finish (gold, chrome, or Satin Grey) reading at frame edges. The transparency of extra-clear glass turns the frame into the design feature; smoke grey shifts emphasis to the surface itself.

Configurator

Modules

Small — Ø 60 × 35 H cm

Small — Ø 60 × 35 H cm

Ø 60 × 35 H cm

Smallest and tallest. At 35 cm overall, the Ø 60 sits between coffee-table and side-table height — drink-and-book level beside an armchair, or a stepped accent above the larger pair when grouped. Compact footprint suits tighter seating arrangements.

Medium — Ø 90 × 29 H cm

Medium — Ø 90 × 29 H cm

Ø 90 × 29 H cm

True low-coffee register at 29 cm overall. The Ø 90 carries enough surface for a seating group's primary coffee table without crowding a smaller room; pair with the Ø 110 for a more generous open layout, or run as the single anchor table.

Large — Ø 110 × 29 H cm

Large — Ø 110 × 29 H cm

Ø 110 × 29 H cm

Largest in the family. Same low-coffee height as the Ø 90 (29 cm overall) but extra 20 cm of diameter — the surface area scales noticeably. Sized for a generous open seating group with a sectional or two facing sofas; the larger circle reads as the centre-of-room anchor.

Trust

Certifications

LEED Gold

LEED Gold buildings

Versace's Milan headquarters at Piazza Luigi Einaudi 4 holds LEED Gold certification, and the Bal Harbour Shops boutique (Florida) is also certified to LEED Gold for interior design and construction (USGBC project record certified 18 December 2019).

FSC

FSC-certified paper packaging

All paper-based packaging components used by Versace are sourced from Forest Stewardship Council–certified suppliers. This certification covers packaging only; it does not extend to furniture wood.

Recognition

Exhibits & press

  • Luxury Living Group catalogue
    Coffee and Side Tables collection

    The licensed manufacturer lists the Medallion coffee tables under its general Versace Home Coffee and Side Tables collection. Not part of a named themed family (unlike La Medusa, La Greca, Iconic). No press launch date is published; the family was not part of the Versace Home 2024 Salone collection (which featured the Iconic round limited-edition triptych instead).

    View
FAQ

Frequently asked

Different material strategy. La Greca coffee tables (id 408) use marble tops on a steel frame; La Medusa coffee tables (id 407) use motif-printed steel tops on a polished-gold tubular base. Medallion uses glass on a stainless-steel frame — the lightest visual register of the three. Choose Medallion when the room benefits from transparency or tinted-glass over the frame, rather than a marble or motif surface.

Extra-clear lets the frame's geometry dominate — choose it when the frame finish (polished Gold, polished chrome, or Satin Grey) should be the design feature. Smoke grey makes the top itself a graphic element, slightly tinting whatever sits on it; choose it when you want the table to read as a single visual mass rather than a frame plus surface. Both options are catalogued; the choice affects the table's character more than the frame finish does.

As a stepped trio. The Ø 60 (35 cm overall) is taller than the Ø 90 and Ø 110 (both 29 cm overall) — group all three together and the smallest reads above the larger pair, creating a stepped visual rhythm. Or split: Ø 60 as a side accent beside an armchair, Ø 90 and Ø 110 as a coffee-table pair in front of a sofa, all three in different rooms entirely. The shared vocabulary keeps any combination coherent.

The licensed manufacturer doesn't explicitly explain the family name on the product page. The round geometry, polished frame, and brand context (Versace Home where Medusa medallions are a signature motif) suggest the round shape evokes a ceremonial medallion. Whether Medusa medallions appear etched on specific variants is not currently confirmed in the brand's verbatim product copy — if you need that detail, we'll request the spec sheet directly.

No. The 2024 Salone del Mobile collection ("If These Walls Could Talk") featured the Iconic round limited-edition coffee tables (id 389) as the marble-top launch — Medallion is not mentioned in that editorial. Medallion is a longer-running family in the Versace Home Coffee and Side Tables collection, with no specific Salone launch year published.

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